All Campaigns
Before being a designer, I am first of all a cabinetmaker.
I spent thousands of hours at the workbench, working with wood, panels, and learning the notions of assembly, but also of proportions, triangulation, and of course planimetry. The LINE collection is for me a tribute to this notion of planimetry and balance. With the constantly renewed use of the plan as a structural response, in its efficiency and simplicity.
Numbers, signs, geometric shapes, also have their aesthetic language and mysteries.
Symbols are not only the translation of a notion, or a code, but they also exist as a formal entity in their own right. The π collection is therefore a reflection on the different structural and graphic possibilities of this legendary sign. This creates a solid line, rich in answers and variations, and unifying, as to how it resonates instinctively within us.
Before being a designer, I am first of all a cabinetmaker.
I spent thousands of hours at the workbench, working with wood, panels, and learning the notions of assembly, but also of proportions, triangulation, and of course planimetry. The LINE collection is for me a tribute to this notion of planimetry and balance. With the constantly renewed use of the plan as a structural response, in its efficiency and simplicity.
Numbers, signs, geometric shapes, also have their aesthetic language and mysteries.
Symbols are not only the translation of a notion, or a code, but they also exist as a formal entity in their own right. The π collection is therefore a reflection on the different structural and graphic possibilities of this legendary sign. This creates a solid line, rich in answers and variations, and unifying, as to how it resonates instinctively within us.
